Sand as Representative of Community in Woman in the Dunes Sand in The Woman in the Dunes is an inescapable power that can't be handily gotten away. In the novel, sand is characterized as a total of rock parts, at times including loadstone, tinstone, and all the more once in a while gold residue, with a distance across of 2 to 1/16mm (13). This logical methodology of definition by the fundamental character, Niki Jumpei, disengages him from the significance that these stone sections have in his life. Page 39 of the novel backings the proof that in spite of the fact that Niki doesn't yet consider himself to be an individual from the network, the individuals of the town work clearing the sand so as to ensure the occupation of their neighbor, and at last themselves. It is just through scooping the sand each night that they have a working network. The sand drives them to cooperate. In this sense, sand is the network. Each grain cooperates, and is a bit of an entirety. A solitary grain can be overlooked decisively (Niki), yet numerous grains can't be ignored without any problem.
Gulls Onstage, and in the Audience Perspective in The Alchemist The gulls in the chemist don't merit riches to such an extent as an idealized picture of themselves. There are two gatherings of gulls in The Alchemist; on the proof of Jonson's editorial on his own work, he introduced the picture that the gulled characters merited neither of two run of the mill account rewards (to be specific, riches and self-refinement) except if they would experience noteworthy changes. Normally, we have our Dapper, Drugger, and Mammon in the early demonstrations of the play as the standard gulls or tricks inside Jonsons satiric activity. In any case, seemingly the genuine gulls in The Alchemist are simply the paying crowd individuals, and Jonson empowers the crowd's psychological support in the endeavor of the play in a way that makes precisely this unexpected relationship. For what reason are the crowd individuals gulls? Most likely they would think themselves astute enough not to be deceived all things considered, the well off would have paid for their peddling seat in the Blackfriars theater.
